The title character in Juliet of the Spirits begins to suspect her husband is cheating on her, so she hires a private detective, who confirms that he is having an affair. However, she is trapped in the marriage because she loves her husband so much that she is afraid he will leave her. But her real problem is that she is trapped in a Federico Fellini movie for over two hours, which was produced under the assumption that if you have a lot of strange people in a movie saying weird things, and then fill the movie with all kinds of symbolic stuff, people will think it is profound and deep. She thinks that it is better to have a husband who does not love her and who cheats on her than to have no husband at all. And I guess she believes it is better to be in a Fellini movie than no movie at all. Wrong on both counts.
2 thoughts on “Juliet of the Spirits (1965)”
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